Elias Sime
Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.
Three-dimensional wall piece with woven electrical wires and other components on wood panels
Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.
Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.
Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.
Installation view, Elias Sime, Venice Biennale, The Milk of Dreams, Venice, Italy, April 23 – November 27, 2022.
Mixed Media
Elias Sime (b.1968 Addis Ababa, Ethiopia) deftly weaves, layers and assembles carefully selected everyday materials, transforming commonplace items into lyrical abstract compositions that suggest topography, figuration, and color fields. He often creates intricate works from electronic components—including circuit boards, computer keys, and telecommunications wires. For Sime, the history of these materials hold meaning and their significance emerges after thorough consideration. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and social networks, nature and the man-made, and physical presence and the virtual.